Robert Motherwell Paintings and Collages: A Catalogue Raisonné 1941 – 1991 Volume 3 - Flipbook - Page 374
c787
c788
c789
c787
c788
c789
c790
The Red and Black No. 28
The Red and Black No. 29
The Red and Black No. 30
The Red and Black No. 31
1987–88
Oil-based etching ink, pasted papers,
and aquatint on paper
32 x 25 in. (81.3 x 63.5 cm)
1987–88
Oil-based etching ink, pasted papers,
and aquatint on paper
31 x 25 in. (78.7 x 63.5 cm)
1987–88
Oil-based etching ink, pasted papers,
and aquatint on paper
32 x 25 in. (81.3 x 63.5 cm)
1987–88
Oil-based etching ink, pasted papers,
and aquatint on paper
32 x 25 in. (81.3 x 63.5 cm)
inscriptions
Recto, lower right: Motherwell 87
inscriptions
Recto, lower right: Motherwell 87
inscriptions
Recto, lower right: Motherwell 87
inscriptions
Recto, lower right: Motherwell 87
artist’s studio number
c87-3407
artist’s studio number
c87-3408
artist’s studio number
c87-3409
artist’s studio number
c87-3410
present owner
Collection of Dr. Wilfred and Gail
Heilbut
present owner
Private collection
present owner
Private collection
present owner
Private collection
provenance
Dedalus Foundation, 1991; private
collection, 2004
provenance
Private collection, 1989; private collection, ca. 1996; private collection, 1999
provenance
Base Gallery, Tokyo, 1990; private collection; private collection
comments
This collage includes fragments of the
prints Glass Garden, 1984; Wanderers,
1985; and from the 1986 Alphabet
Series (Engberg and Banach 2003, nos.
342, 364, and 375). The sheet music is
from the unidentified Stabat Mater that
also appears in a number of other collages by Motherwell (see the Comments
for c687). Motherwell added the
painted black brush marks in 1988.
comments
This collage includes fragments of the
prints La Casa de la Mancha, 1984;
Perpetual Summer, 1985; and Wanderers,
1985 (Engberg and Banach 2003, nos.
349, 361, and 364). Motherwell added
the painted black brush marks in 1988.
solo exhibitions
Waddington Graphics, London, 1989.
provenance
Dr. Wilfred and Gail Heilbut, 1989
comments
This collage includes fragments of
the prints St. Michael III, 1979, and
Wanderers, 1985 (Engberg and Banach
2003, nos. 237 and 364). The sheet
music is from Mozart’s Don Giovanni
(k. 527). Motherwell added the painted
black brush marks in 1988.
362
collages
comments
This collage includes fragments of
two 1984 prints, La Casa de la Mancha
and Flesh Automatism (Engberg and
Banach 2003, nos. 346 and 349). The
sheet music is from Mozart’s Don
Giovanni (k. 527), turned upside down.
Motherwell added the painted black
brush marks in 1988.
