Robert Motherwell Paintings and Collages: A Catalogue Raisonné 1941 – 1991 Volume 3 - Flipbook - Page 369
c772
c773
The Red and Black No. 14
1987/1988
Oil-based etching ink, pasted papers,
and aquatint on paper
32 x 25 in. (81.3 x 63.5 cm)
345, and 361). It was exhibited in an
early state at Knoedler & Company in
April 1988. Motherwell added the
painted black brush marks after it was
returned to him that May.
c773
c774
The Red and Black No. 15
1987/1988
Oil-based etching ink, pasted papers,
and aquatint on paper
32 x 25 in. (81.3 x 63.5 cm)
InscrIptIons
Recto, lower right: Motherwell 87
InscrIptIons
Recto, lower right: Motherwell 87
ArtIst’s studIo number
c87-3394
ArtIst’s studIo number
c87-3395
present owner
Joseph and Abigail Baratta
present owner
Private collection
provenAnce
Private collection, New York, 1989;
[Phillips de Pury & Co., New York,
May 15, 2009, lot 187, illus.]; Joseph
and Abigail Baratta, 2009
provenAnce
Dedalus Foundation, 1991; private
collection, ca. 1992
solo exhIbItIons
Knoedler & Company, New York, April
1988, cat. no. 14 (shown in early state).
comments
This collage includes fragments of
three prints: Glass Garden, 1984; At the
Edge, 1984; and Perpetual Summer, 1985
(Engberg and Banach 2003, nos. 342,
c774
comments
This collage includes fragments of the
following prints: Put Out All Flags,
1980; Australian Stone, 1984; and Yellow
Flight, 1986 (Engberg and Banach 2003,
nos. 263, 344, and 367). It was exhibited in an early state at Knoedler &
Company in April 1988. Motherwell
added the painted black brush marks
after it was returned to him that May.
solo exhIbItIons
Knoedler & Company, New York, April
1988, cat. no. 8 (shown in early state).
Locks Gallery, Philadelphia, 1992, color
illus. p. 15, erroneously as Rouge et Noir.
references
Ashton 1989, illus. p. 19.
co lla ges
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