Robert Motherwell Paintings and Collages: A Catalogue Raisonné 1941 – 1991 Volume 3 - Flipbook - Page 325
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comments
The small piece of sheet music near the
center of this collage is a lithographic
reproduction of part of the score from
Stravinsky’s Le sacre du printemps,
turned upside down.
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Gypsy Collage No. 4
Untitled
The Spanish King
1982
Acrylic and pasted papers on cardboard
42 x 28 in. (106.7 x 71.1 cm)
1982
Acrylic, pasted paper, and graphite on
paper
28⅞ x 22⅞ in. (73.3 x 58.1 cm)
1981–82
Oil, acrylic, and pasted papers on board
45 x 35 in. (114.3 x 88.9 cm)
inscriptions
Recto, upper left: RM 82
artist’s studio number
c82-2681
present owner
Private collection
provenance
Dedalus Foundation, 1991; [Sotheby’s,
New York, May 13, 2004, lot 204, illus.];
private collection, 2004
solo exhibitions
Galería Joan Prats, Barcelona, 1986 (traveling), Barcelona, cat. no. 33, color illus.
n.p.; Palma de Mallorca, cat. no. 33,
color illus. n.p.; Bilbao, color illus. p. 15;
Madrid, cat. no. 33, color illus. n.p.
references
Drudi 1984, color illus. p. 74; Miralles
1986, illus. p. 41; Drudi 1988b, color
illus. p. 74; Pleynet 1989b, color illus.
p. 161.
inscriptions
Recto, lower left: RM 82
artist’s studio number
c82-2896
present owner
Dedalus Foundation
provenance
Dedalus Foundation, 1991
comments
This collage includes a fragment from
the 1982 print Bloomsday (Engberg and
Banach 2003, no. 291).
inscriptions
Recto, lower left: RM 82
artist’s studio number
c81-2661
present owner
Private collection, New York
provenance
Mr. and Mrs. Lawrence Rubin, 1988;
Knoedler & Company, 1993; private
collection, New York, 1993
solo exhibitions
Knoedler & Company, New York, 1982,
cat. no. 4.
Albright-Knox Art Gallery, Buffalo,
1983 (traveling), cat. no. 90, illus. p. 118;
not shown in Seattle.
Solomon R. Guggenheim Museum,
New York, 1984, cat. no. 86.
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