Robert Motherwell Paintings and Collages: A Catalogue Raisonné 1941 – 1991 Volume 3 - Flipbook - Page 227
c443
c444
c445
c446
c443
c444
c445
c446
Cabaret No. 2
Cabaret No. 3
Cabaret No. 4
Cabaret No. 5
1974
Acrylic, pasted papers, and graphite on
paper
22 x 10¼ in. (55.9 x 26 cm)
1974
Acrylic, pasted papers, and graphite on
paper
22 x 10⅜ in. (55.9 x 26.4 cm)
1974
Acrylic, pasted papers, and graphite on
paper
22 x 10¼ in. (55.9 x 26 cm)
1974
Acrylic, pasted papers, and graphite on
paper
22 x 10⅜ in. (55.9 x 26.4 cm)
InscRIptIons
Recto, lower right: RM 74
InscRIptIons
Recto, lower right: RM 74
InscRIptIons
Recto, lower right: RM 74
InscRIptIons
Recto, lower right: RM 74
pResent owneR
Collection Bernard Jacobson Gallery,
London
aRtIst’s studIo numbeR
c74-489
pResent owneR
Hannelore B. Schulhof Collection,
New York
aRtIst’s studIo numbeR
c74-491
pRovenance
Private collection, 1974; private collection of Mr. and Mrs. Philip Williams,
1974; Jacobson Howard Gallery, 2007;
Bernard Jacobson Gallery, London,
2007
solo exhIbItIons
Images Gallery, Toledo, Ohio, 1974.
comments
The sheet music fragment in this
collage is from Mozart’s Das Bandel:
“Liebes Mandel, wo ist’s Bandel?”
(k. 441).
pResent owneR
Private collection
pRovenance
Dedalus Foundation, 1991; private
collection, 2004
solo exhIbItIons
Waddington Galleries, London, 1975.
GRoup exhIbItIons
Virginia Museum of Fine Arts,
Richmond, 1974.
comments
The sheet music fragment in this
collage is from Mozart’s Das Bandel:
“Liebes Mandel, wo ist’s Bandel?”
(k. 441).
pRovenance
Hannelore B. Schulhof Collection,
New York, 1976
GRoup exhIbItIons
Knoedler & Company, New York,
summer 1975.
comments
This collage was used as a model for
an early state of the large 1981 painting,
Music over Music (p1042). The sheet
music fragment is from Mozart’s Das
Bandel: “Liebes Mandel, wo ist’s
Bandel?” (k. 441).
pResent owneR
Sidney and Madeline Forbes
pRovenance
Dedalus Foundation, 1991; Sidney and
Madeline Forbes, 2004
comments
The fragment of a newspaper page in
this collage is from the Times (London),
September 29, 1965, which featured an
article on Motherwell’s retrospective at
the Museum of Modern Art, New York,
published on the same day the exhibition opened. Motherwell used another
piece from this same newspaper in an
untitled collage (c455).
co lla ges
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